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Henri de Toulouse-Lautrec: La Vie Bohème

by Felix

Francesco Misserotti
Gio Schiavone
コロッケ Korokke

Turn-of-the-century Paris was a state of mind as well as an environment for artists and bohemians. As a young man of talent, Henri de Toulouse-Lautrec left his wealthy aristocratic home in the south of France and moved to Paris to study painting. He dabbled in paintings in both academic and impressionist styles for a while, but made his true mark in lithographic prints in his particular caricaturist´s style. The subject of his work was nearly always the night-life and various forms of entertainment offered in the Montmartre district, depicting the often sad and sordid lives of dancehall performers and prostitutes in cafés and boudoirs.

Henri de Toulouse-Lautrec, La Goulue, 1894

Henri de Toulouse-Lautrec, Jane Avril, 1893

Henri de Toulouse-Lautrec, Moulin Rouge, La Goulue, 1891

Henri de Toulouse-Lautrec, Divan Japonais, 1892/1893

Henri de Toulouse-Lautrec, Jane Avril, 1899

Henri de Toulouse-Lautrec, Femme qui se peigne, la coiffure, 1896

Henri de Toulouse-Lautrec, Le Jockey, 1899

Henri de Toulouse-Lautrec, La Clownesse assise, Mademoiselle Cha-u-Kao, 1896

Henri de Toulouse-Lautrec, Napoléon, 1895

Henri de Toulouse-Lautrec, Madame Abdala, 1893

Henri de Toulouse-Lautrec, Mademoiselle Marcelle Lender, en buste, 1895