Donald Judd: Graphics
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Donald Judd began as a painter. His paintings developed in the early 1960s into low-reliefs, then into high-reliefs, wall pieces and floor pieces with precise geometrical forms and without a base. Donald Judd studied philosophy and art history at the Art Students League and Columbia University. From 1959 to 1965 he wrote art criticism for American journals such as Arts Magazine, championing fellow artists from New York such as Claes Oldenburg, Frank Stella, John Chamberlain and Dan Flavin. During this period he gave up painting in order to devote himself to sculpture, or rather to the object, making painted wooden structures such as Light Cadmium Red Oil on Wood that he exhibited in 1963 at the Green Gallery, New York. Between 1964 and 1966 Judd perfected a formal vocabulary that was soon labelled Minimalism, which he subsequently developed in different materials. Judd favoured metals such as painted steel, aluminium or galvanized iron as sculptural materials, sometimes in combination with another industrial material, perspex. Subsequently he used unpolished laminated wood and concrete. He had his works made in a factory in order to obtain a perfect finish without having to rework the material. Judd began in the 1970s to work on a larger scale, gradually creating a type of open-air museum of his work surrounding his studio at Marfa, TX. In 1984 he also began applying the principles of his sculpture to a plain style of furniture.
Magazines
Groupe Garcia Ingénierie
Just Before Paradise
Expression/Information
Total Automation
German Art since 1960
Jean Lurçat
Akiko Masunaga
Management 7
Scum Pixel
The Bauhaus Revolution
In Infinity
In Orbit
Tom Ngo
Sislej Xhafa
reversed silhouettes
Visual Music
Heartbeat, Heartseat
Ignite
This City
Eric Giraudet de Boudemange
Christian Herdeg: Kunst und Bau
Obsolete Distinction
Liqen
“I’m not supposed to talk about it”
The Glass House
Francois Morellet 1926 - 2016
Xavier Antin: Printing at Home
The Oily Actor
Julius Shulman: Visual Drama
72 dpi
Jewelry Design Art
BASILE ARTECO "Falce/Scythe" design anonimo
BASILE ARTECO "Ferro/B" design Enzo Mari
Universality of the Vortex-Sphere Archetype
Place cards
Áron Jancsó
Untitled Project: GOLD /eBAY
Palmyra, End of March, 2016
Bring the outside in: The houses of Joseph Eichler
DADAMAINO
Alain Georges Frank Jacquet
Pierre Besson
AG Frozoni: We need to aim at essential things
Andrea Guccini: 4A+1
Julien Notter and Sébastien Vigne
Erwin Poell: Naturwissenschaft + Technik
Mass, space, plane and line
E. Hu
Superheroes
Opie
Make War, Not Love
Petrolheads
Prism
안 민 정 Private Pictograph
Antonio Rubino
Sadamitsu Neil Fujita
Stan Galli
Spacecraft
Mirrors
L´Imparfaite by VLF
related projects
Writing & Design
Writing & Design
Writing & Design
Writing & Design
Writing & Design
WRECK--Regeneration Experiment of Wasted Daily-use Ceramics from Chaozhou, China
The loft bar
Exiled from Truth: Nine Allegories by Dmitry Borshch
4 second spaceship
100.000 games
Hypothetical spaces
emoji highway
drive
Semantic Space Invaders
The Joys of Ice Skating
GIFolio
penccil: This was 2017
Cutting the edges
Digital Bill
Name plates
serpentine 2017
BS1
We Ar
Maurice Binder
Perpetual
Le Drugstore Brand Identity
Coffee maker
FASHION ADVERTISING
ILLUSTRATION
UNTITLED PROJECT: CABIN [THOREAU]
Untitled Project: Honda CB77 Superhawk
Franz Kline
Book : Monk
Book : Tajima
Book : Lewitt
Book : Baldessari
Book : Armleder
Book : Mullican
Book : Weiner
Book : Cattelan
Book : Brannon
Jeff Zimmerman
New Generation
The Menu
American Food
What Is A Simulation?
Unlimited Edition
The art of improvising art