Nils Dardel: Modern Dandy
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Nowadays, Sweden loves Nils Dardel’s (1888–1943) oeuvre. But that was not always the case. He had to wait fairly long before he reached a wider public. Rumors about him spread quickly, however, for instance that his Stockholm address was: “Nils Dardel, c/o The Opera Bar, Stockholm”. He was an eccentric with an uncommon lifestyle. I suspect that his character stood in the way of his artistic career – for many years, some critics considered him to be a superficial and trite artist. Even worse were the many attacks on him as a person, relating to his ambiguous sexuality. Dardel was deeply hurt by the criticism, even though he usually dismissed it with his sharp and witty tongue. - from the Statement by John Peter Nilsson, curator
All images courtesy: Moderna Museet Stockholm.
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Nils Dardel, Waterfall, 1921 © Nils Dardel. Privat collection.
Nils Dardel, Crime of Passion, 1921 © Nils Dardel.
Painter Dardel as a socialite personality yet a sensitive and restless soul. He used to tell stories in old-fahioned ways and expressed his outrage to make a point on the absurdities and shocks at the new modern ways of life. Nils Dardel in Tokyo, 1917 © Riksarkivet, Thora Dardel Hamiltons arkiv 4 ab:3.
Nils Dardel, Visit to an Eccentric Lady, 1921 © Nils Dardel.
Nils Dardel, The Paranoiac, 1925 © Nils Dardel. Turku Art Museum. Photo: Kari Lehtinen.
Europe changed radically in the early 20th century. Dardel (1888-1943) went to Paris to live and work as a painter to breathe more creative freedom. His home country Sweden wasn't quite ready to accept Dardel's strong individualism and eccentricity. Nils Dardel, "Débit de Tabac", Senlis, 1913 © Nils Dardel.
Due to illness as a young child, Dardel developed a life-long obsession about sickness and early death. Nils Dardel, Burial in Senlis, 1913 © Nils Dardel. Bequest 1966 of Rolf de Maré.
Being a quintessential late 19th century type, Nils Darde felt Paris was much more receptive and stimulating for creative minds. Nils Dardel. Street ini Senlis, 1913 © Nils Dardel.
Nils Dardel, Jean Börlin doing Siamese Dance, 1919 © Nils Dardel.
Nils Dardel, Crime of Passion, 1921 © Nils Dardel.
Nils and Thora Dardel next to ”Crime passionel” in the studio at rue Lepic, 1921 © Riksarkivet, Thora Dardel Hamiltons arkiv. Photo: Unknown.
In between the two world wars, Dardel became more fascinated with foreign cultures. Nils Dardel, The Black Diana, 1924 © Nils Dardel.
Dardel was obsessed with his untimely early death, thus preoccupied himself with much social activities and hectic painting schedules. Nils Dardel, The Dying Dandy, 1918 © Nils Dardel.
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