Kochi Biennale 2014
Julian Charriere's 'We Are All Astronauts' installed at Durbar Hall, Ernakulam. The artist has used thirteen found globes made of glass, plastic, paper and wood. Steel base with MDF board; dust from globes surface and international mineral sandpaper.
Nikhil Chopra's 52 hour-long performance entitled "Le perle noire II" took place at Aspinwall House for the Kochi-Muziris Biennale 2014 inspired audience.
Gigi Scaria's stainless steel bell installation titled 'Chronicles of The Shores Foretold' at Pepper House, Fort Kochi
Unnikrishnan C's 'Untitled' work installed at CSI Bungalow, Fort Kochi. The artist has used oil and acrylic paint, carvings on terracotta bricks.
Unnikrishnan C's 'Untitled' work installed at CSI Bungalow, Fort Kochi. The artist has used oil and acrylic paint, carvings on terracotta bricks.
Valsan Koorma Kolleri's 'How Goes the Enemy' is installed at Cabral Yard, Fort Kochi. The artist has used laterite, mud and baked earth.
Sumakshi Singh's work titled 'In, Between the Pages' at Pepper House, Fort Kochi. Multi-media Installation: drawings, paintings and collage on paper scrolls, projection, stop-motion animation - 70 x 30 ft
Shanthamani Muddaiah's work titled 'Backbone' at Aspinwall House, Fort Kochi. The artist has used cement and cinder - 7 x 5 x 71 ft - Dimensions variable
Prashant Pandey's 'Artha' at Aspinwall House, Fort Kochi. The artist has used discarded blood slides, iron, stainless steel thread 81 x 108 x 108 inches
Sahej Rahal's 'Harbinger' installed at Aspinwall House, Fort Kochi. The artist has used clay, polyurethane, hay, found objects.
Rafael Lozano-Hemmer's 'Pan-anthem' installed at David Hall, Fort Kochi. The artist has used loudspeakers with custom-electronics for sound playback, power distribution battens, ultrasonic proximity sensors, LED screens, steel plates, paper printouts showing alternative statistical arrangements.
Installation "Teddy Universe" and video by Bangalore artist duo Søren Pors & Aparna Rao installed at Aspinwall House.
Mithu Sen's video installation based on a performance titled 'I have only one language; it is not mine' at Aspinwall House, Fort Kochi.
K G Subramanyan's 'War of the Relics' installed at David Hall, Fort Kochi. The artist has used acrylic on canvas (16 panels- 9ft X 36ft overall)
N S Harsha's 'Punarapi Jananam Punarapi Maranam' installed at Aspinwall House, Fort Kochi. The artist has used acrylic on canvas, tarpaulin (approx 12ft X 80ft)
Dinh Q Le's 'Erasure' at Aspinwall House, Fort Kochi. Single-channel video: 2K HD Colour, sound 7 minutes, found photographs, stone, wooden boat fragments; computer, scanner, dedicated website Dimensions variable
Dayanita Singh's '1.9.2014 Dear Mr Walter' installed at Aspinwall House, Fort Kochi. The artist has used teak wood structures with 196 inkjet prints.
Bharti Kher's work titled 'Three Decimal Points Of a Minute Of a Second Of a Degree' installed at Pepper House, Fort Kochi. The artist has used wood, metal, granite and rope.
David Horvitz's 'The Distance of a Day' at Aspinwall House, Fort Kochi. Two videos Colour 12 minutes each.
Christian Waldvogel's 'The earth turns without me' at Aspinwall House, Fort Kochi. Installation with four parts: Prologue, Documentation, Proof, Standstill - Dimensions variable
Chen Chieh-jen's 'Realm of Reverberation' at Aspinwall House, Fort Kochi. Four-channel video installation, black and white, sound 23 minutes each.
Bijoy Jain's 'Tar Studies' at CSI Bungalow, Fort Kochi. The work on display is composed of a number of ambiguous forms encased in tar.
Benitha Perciyal's work titled 'The Fires of Faith' at Pepper House, Fort Kochi. The artist has used bark powder, frankincense, myrrh, cinnamon, cloves, lemon grass, cedar wood, coal, leather dried gourds, wood (re-used), perfume and essential oil bottles and assorted objects of daily use - Dimensions variable
Inspirations.
Francesco Vezzoli: Antique not Antique
Surrealism
Arte generativo
Rudolf Belling
Calatrava : Sculptures
CoBrA Magazines
Alessandro Mendini 1931-2019
VAW
Pieter Bruegel
Territorium: Ars - Techne-Krafts-Cosmovisión
Writing & Design
WRECK--Regeneration Experiment of Wasted Daily-use Ceramics from Chaozhou, China
The loft bar
Stories of You
The shape of clouds
One Hundred Thousand Games
Art Driver
penccil: This was 2017
serpentine 2017
BS1
We Ar
UNTITLED PROJECT: CABIN [THOREAU]
Untitled Project: Honda CB77 Superhawk
Franz Kline
Jeff Zimmerman
New Generation
Home Patterns
What Is A Simulation?
The art of improvising art
Just Before Paradise
Expression/Information
Total Automation
German Art since 1960
Jean Lurçat
Sky Walk
Scum Pixel
The Bauhaus Revolution
In Infinity
E=C=L=I=P=S=E
In Orbit
also:
reversed silhouettes
Heartbeat, Heartseat
Eric Giraudet de Boudemange
Christian Herdeg: Kunst und Bau
Obsolete Distinction
“I’m not supposed to talk about it”
Francois Morellet 1926 - 2016
Xavier Antin: Printing at Home
The Oily Actor
Standing wave Sculpture
Jewelry Design Art
BASILE ARTECO "Falce/Scythe" design anonimo
BASILE ARTECO "Ferro/B" design Enzo Mari
Universality of the Vortex-Sphere Archetype
Colliding Worlds
Untitled Project: GOLD /eBAY
Palmyra, End of March, 2016
DADAMAINO
Color constructions
Telepathic Light
Alain Georges Frank Jacquet
Palatial Eliasson
Pierre Besson
Principles Of Motion
Make War, Not Love
German Painting after the 1960s
Petrolheads
Merzbau
안 민 정 Private Pictograph
Excentrique/Beware
Black Boxes
MIRROR MIRROR ON THE WALL
Pareidolia
The Way Of The Light
朱敬一 Standing Ink
The 2015 best of penccil
Tesseract
Spatial Objects
CHROMAesthesiae
Upscaled
Silent Geography
FLOW by Lazerian
Forward Retreat
Faces of the 17th century
Absalon: Cellules
Pavel Tchelitchew: Spiral head
BRANCHES & TREES
Zigzag Castle
The Great Travelling Art Exhibition
Labyrinth
Design is as much a matter of finding problems as it is solving them.
— Bryan Lawson
— Bryan Lawson
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