Carlos Cruz-Diez: Chromointerference
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"Color is not simply the color of things or the color of form, but an evolving situation, a reality which acts on the human being with the same intensity as cold, heat, and sound.”

Carlos Cruz-Diez is one of South America´s modernist masters. Born in Caracas in 1923, he studied at the Escuela de Artes Plásticas y Aplicadas before working with an advertising agency from 1946 to 1951. In 1954, influenced by his study of the Bauhaus and the European avant-garde, Cruz-Diez created his first abstract and interactive projects. A year later, he began a series of Objetos rítmicos móviles that consisted of multicolored, movable figures made from wood and, in 1957, he began experimenting with colored light. His first Physichromie--translated as "physical color" these works explore the physical dimension of color--was made in 1959. The following year, he moved to Paris, where he met Argentine artist Luis Tomasello, and members of the Groupe de Recherche d’Art Visuel, and he quickly became an important member of the artistic communities there. In 1971, he established his workshop and pursued his explorations of color and light with Physichromies, Chromosaturations, Chromo-interference environments, and large-scale public projects.
  Inspirations.  
Kenzo Tange
New Generation
Organic Public
What Is A Simulation?
Unique
Design for Disaster
Shared Space
Memphis Posters
Just Before Paradise
Food Architecture
Expression/Information
Total Automation
German Art since 1960
Jean Lurçat
Sky Walk
Pillars
Scum Pixel
Microscopes of utopia
Brazil Modernism
Carlo Scarpa: Sketch and Work
Peter Zumthor: Thinking Architecture
The Bauhaus Revolution
In Infinity
E=C=L=I=P=S=E
In Orbit
Tom Ngo
Sislej Xhafa
Future Architecture
Superstudio, Superproduction, Superconsumption
reversed silhouettes
Heartbeat, Heartseat
Swarm fabrication: Kokkugia / Roland Snooks
Spatial Clusters
Eric Giraudet de Boudemange
Christian Herdeg: Kunst und Bau
Une Cité Industrielle by Tony Garnier
Obsolete Distinction
“I’m not supposed to talk about it”
The Glass House
Francois Morellet 1926 - 2016
20th Century Italian Tables
Xavier Antin: Printing at Home
The Oily Actor
Julius Shulman: Visual Drama
Robert Slezak
Bird´s Nest
Jewelry Design Art
BASILE ARTECO "Falce/Scythe" design anonimo
BASILE ARTECO "Ferro/B" design Enzo Mari
Universality of the Vortex-Sphere Archetype
also:
The Venice Pavillon
Collaborative City Planning
Structures
Evolving spaces
Dreaming of Skyscrapers
Who made this chair????
One Million Flowers
Oilspill, Carpet, Camouflage
Alessandro Mendini 1931-2019
VAW
Terror Architecture -18th Century Prisons
Kunio Makaewa
DNA Paris Design Awards
Pieter Bruegel
Digital Biology
Territorium: Ars - Techne-Krafts-Cosmovisión
Future City - Fashion, Food, Transport
Architecture
Writing & Design
WRECK--Regeneration Experiment of Wasted Daily-use Ceramics from Chaozhou, China
The loft bar
revoir
Mechanical Suprematist
All that is left of the world is a wasteland
One Hundred Thousand Games
life in color
Art Driver
GIFolio
penccil: This was 2017
NuSA
serpentine 2017
BS1
We Ar
BKM/Barozzi/Veiga
Fallingwater
UNTITLED PROJECT: CABIN [THOREAU]
Untitled Project: Honda CB77 Superhawk
Green Architecture…. Is it blessing or curse!!
Library
Franz Kline