Urquiola for Rosenthal
Appreciate & Collect
For the Rosenthal studio-line range, Patricia Urquiola designed the latest tableware service commissioned by Rosenthal. With her wide-ranging ideas for Landscape – porcelain, glass, cutlery and textiles – she puts a contemporary spin on the theme of “The set table”. Photos courtesy: Die Neue Sammlung – The International Design Museum Munich – and Neues Museum für Kunst und Design in Nuremberg.
Patricia Urquiola is among the most significant representatives of international contemporary design. Born in 1961 in Oviedo (Spain), she studied Architecture in Madrid and later in Milan under industrial designer Achille Castiglioni. Today the multi-award winning designer lives in Milan, where she has run her own studio for product design, architecture, installation and concept creation since 2001. / Stryform and gypsum model using shellac lacquered with docorative patterns, 2005-2008 Photo: Sandro Paderni.
Patricia Urquiola „Landscape“ Cup models made from gypsum and decorative patterns, 2005-2008 Producer:. Rosenthal AG, Selb : Photo: Sandro Paderni.
„Landscape“ Cup models with decorative patterns, 2005-2008 Producer:. Rosenthal AG, Selb : Photo: Sandro Paderni.
Casting form for cup handles.
Casting form made from shellack for tea pots.
Cast form for a tea pot handle.
Casting adn embossing forms for plates and cutlery.
Casting forms for Plates.
Casting and embossing forms for plates and cutlery.
Plate models made from gypsum.
Plates and bowls lacquered shellack.
Surface details. The development of Landscape (2008) took a total of two years. It is characterized by three-dimensional reliefs, which on the one hand lend the porcelain a delicate, translucent look reminiscent of the famous paragon of Chinese rice grain porcelain, while on the other the decoration calls to mind open lacework such as traditional Italian and Spanish craft workers have been making for centuries.
Gypsum model for plates.
Bowls and plates models made from gypsum.
Trial sketches on porcelains with a marker.
Carlo Scarpa: Sketch and Work
The Bauhaus Revolution
Beat Machine
This City
20th Century Italian Tables
Porcelain Monobloc
Tea Time
Travel and Hospitality
Jewelry Design Art
Computer Vision
Empty Full
Colliding Worlds
Luigi Colani
Air Luxe
Sketching: Bellini, Castiglioni, Colombo, Mari, Magistretti, Munari, Ponti, Sottsass
A+A Cooren
Function Follows Form
Radiofonografo RR126
George Sowden
Angelo Mangiarotti
The Many Sides of the Moon
私たちは Continuous Design
Bjørn van den Berg
:(mala leche)
The 2015 best of penccil
Hello Winter
Aspartame: Adrien Rovero
FLOW by Lazerian
Studio BAAG
I+N: Gohanan
B3 / Wassily
Permanent Objects
TAKEO 竹尾纸张展
Spin it again
The Value Of Worthless
Zigzag Castle
La Estirada
Nordic Seating
sound pen
未来のお菓子 一日(ひとひ)A Sweet Future
WUU 大好商店 Hexa
algorithms that distort, abstract and taint
Light of Thought
Le Moigne
Cope: Product
バガボンド summer collection
Golden Clothes
you might like
Stories of the Future
Black Box
Oilspill, Carpet, Camouflage
Alessandro Mendini 1931-2019
Digital Biology
Rethinking transport
WRECK--Regeneration Experiment of Wasted Daily-use Ceramics from Chaozhou, China
Emergent Neighborhood Transport
Joy Assistant
Emergent Townbike
Omnidirectional Speaker
Silk Road
Organic Bike
S tables
One Hundred Thousand Games
Black Box. A Cabinet of Robotic Curiosities
Silk Automata
City Garden II ´Spaces´
Charles Tassin
penccil: This was 2017
Cutting the edges
Digital Bill
Coffee break
We Ar
Coffee maker
Mapping Reality
Green Architecture…. Is it blessing or curse!!
Vico Magistretti
Structured Reflection
Gaetano Pesce: Abstraction is boring
Jeff Zimmerman
Home Patterns
Organic Public
Michael Schoner
Design for Disaster
Memphis Posters
A Flat Named Desire
A Summer For The Modernists
Joe Colombo: Total Furnishing Unit